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Historic Centre of Mexico City and Xochimilco (1987)
Built in the 16th century by the Spanish on the ruins of Tenochtitlan, the old Aztec capital, Mexico City is now one of the world's largest and most densely populated cities. It has five Aztec temples, the ruins of which have been identified, a cathedral (the largest on the continent) and some fine 19th- and 20th-century public buildings such as the Palacio de las Bellas Artes. Xochimilco lies 28 km south of Mexico City. With its network of canals and artificial islands, it testifies to the efforts of the Aztec people to build a habitat in the midst of an unfavourable environment. Its characteristic urban and rural structures, built since the 16th century and during the colonial period; have been preserved in an exceptional manner.
Historic Centre of Oaxaca and Archaeological Site of Monte Albán (1987)
Inhabited over a period of 1,500 years by a succession of peoples – Olmecs, Zapotecs and Mixtecs – the terraces, dams, canals, pyramids and artificial mounds of Monte Albán were literally carved out of the mountain and are the symbols of a sacred topography. The nearby city of Oaxaca, which is built on a grid pattern, is a good example of Spanish colonial town planning. The solidity and volume of the city's buildings show that they were adapted to the earthquake-prone region in which these architectural gems were constructed.
Historic Centre of Puebla (1987)
Puebla, which was founded ex nihilo in 1531, is situated about 100 km east of Mexico City, at the foot of the Popocatepetl volcano. It has preserved its great religious structures such as the 16th–17th-century cathedral and fine buildings like the old archbishop's palace, as well as a host of houses with walls covered in tiles (azulejos). The new aesthetic concepts resulting from the fusion of European and American styles were adopted locally and are peculiar to the Baroque district of Puebla.
Historic Town of Guanajuato and Adjacent Mines (1988)
Founded by the Spanish in the early 16th century, Guanajuato became the world's leading silver-extraction centre in the 18th century. This past can be seen in its 'subterranean streets' and the 'Boca del Inferno', a mineshaft that plunges a breathtaking 600 m. The town's fine Baroque and neoclassical buildings, resulting from the prosperity of the mines, have influenced buildings throughout central Mexico. The churches of La Compañía and La Valenciana are considered to be among the most beautiful examples of Baroque architecture in Central and South America. Guanajuato was also witness to events which changed the history of the country.
Historic Centre of Morelia (1991)
Built in the 16th century, Morelia is an outstanding example of urban planning which combines the ideas of the Spanish Renaissance with the Mesoamerican experience. Well-adapted to the slopes of the hill site, its streets still follow the original layout. More than 200 historic buildings, all in the region's characteristic pink stone, reflect the town's architectural history, revealing a masterly and eclectic blend of the medieval spirit with Renaissance, Baroque and neoclassical elements. Morelia was the birthplace of several important personalities of independent Mexico and has played a major role in the country's history.
Historic Centre of Zacatecas (1993)
Founded in 1546 after the discovery of a rich silver lode, Zacatecas reached the height of its prosperity in the 16th and 17th centuries. Built on the steep slopes of a narrow valley, the town has breathtaking views and there are many old buildings, both religious and civil. The cathedral, built between 1730 and 1760, dominates the centre of the town. It is notable for its harmonious design and the Baroque profusion of its façades, where European and indigenous decorative elements are found side by side.
Earliest 16th-Century Monasteries on the Slopes of Popocatepetl (1994)
These 14 monasteries stand on the slopes of Popocatepetl, to the south-east of Mexico City. They are in an excellent state of conservation and are good examples of the architectural style adopted by the first missionaries – Franciscans, Dominicans and Augustinians – who converted the indigenous populations to Christianity in the early 16th century. They also represent an example of a new architectural concept in which open spaces are of renewed importance. The influence of this style is felt throughout the Mexican territory and even beyond its borders.
Historic Monuments Zone of Querétaro (1996)
The old colonial town of Querétaro is unusual in having retained the geometric street plan of the Spanish conquerors side by side with the twisting alleys of the Indian quarters. The Otomi, the Tarasco, the Chichimeca and the Spanish lived together peacefully in the town, which is notable for the many ornate civil and religious Baroque monuments from its golden age in the 17th and 18th centuries.
Hospicio Cabañas, Guadalajara (1997)
The Hospicio Cabañas was built at the beginning of the 19th century to provide care and shelter for the disadvantaged – orphans, old people, the handicapped and chronic invalids. This remarkable complex, which incorporates several unusual features designed specifically to meet the needs of its occupants, was unique for its time. It is also notable for the harmonious relationship between the open and built spaces, the simplicity of its design, and its size. In the early 20th century, the chapel was decorated with a superb series of murals, now considered some of the masterpieces of Mexican art. They are the work of José Clemente Orozco, one of the greatest Mexican muralists of the period.
Historic Monuments Zone of Tlacotalpan (1998)
Tlacotalpan, a Spanish colonial river port on the Gulf coast of Mexico, was founded in the mid-16th century. It has preserved its original urban fabric to a remarkable degree, with wide streets, colonnaded houses in a profusion of styles and colours, and many mature trees in the public open spaces and private gardens.
Historic Fortified Town of Campeche (1999)
Campeche is a typical example of a harbour town from the Spanish colonial period in the New World. The historic centre has kept its outer walls and system of fortifications, designed to defend this Caribbean port against attacks from the sea.
Franciscan Missions in the Sierra Gorda of Querétaro (2003)
The five Franciscan missions of Sierra Gorda were built during the last phase of the conversion to Christianity of the interior of Mexico in the mid-18th century and became an important reference for the continuation of the evangelization of California, Arizona and Texas. The richly decorated church façades are of special interest as they represent an example of the joint creative efforts of the missionaries and the Indios. The rural settlements that grew around the missions have retained their vernacular character.
Luis Barragán House and Studio (2004)
Built in 1948, the House and Studio of architect Luis Barragán in the suburbs of Mexico City represents an outstanding example of the architect's creative work in the post-Second World War period. The concrete building, totalling 1,161 m2, consists of a ground floor and two upper storeys, as well as a small private garden. Barragán's work integrated modern and traditional artistic and vernacular currents and elements into a new synthesis, which has been greatly influential, especially in the contemporary design of gardens, plazas and landscapes.
Agave Landscape and Ancient Industrial Facilities of Tequila (2006)
The 34,658 ha site, between the foothills of the Tequila Volcano and the deep valley of the Rio Grande River, is part of an expansive landscape of blue agave, shaped by the culture of the plant used since the 16th century to produce tequila spirit and for at least 2,000 years to make fermented drinks and cloth. Within the landscape are working distilleries reflecting the growth in the international consumption of tequila in the 19th and 20th centuries. Today, the agave culture is seen as part of national identity. The area encloses a living, working landscape of blue agave fields and the urban settlements of Tequila, Arenal, and Amatitan with large distilleries where the agave 'pineapple' is fermented and distilled. The property is also a testimony to the Teuchitlan cultures which shaped the Tequila area from AD 200-900, notably through the creation of terraces for agriculture, housing, temples, ceremonial mounds and ball courts.
Central University City Campus of the Universidad Nacional Autónoma de México (UNAM) (2007)
The ensemble of buildings, sports facilities and open spaces of the Central University City Campus of the Universidad Nacional Autónoma de México (UNAM), was built from 1949 to 1952 by more than 60 architects, engineers and artists who were involved in the project. As a result, the campus constitutes a unique example of 20th-century modernism integrating urbanism, architecture, engineering, landscape design and fine arts with references to local traditions, especially to Mexico's pre-Hispanic past. The ensemble embodies social and cultural values of universal significance and is one of the most significant icons of modernity in Latin America.
Protective town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco (2008)
The fortified town, first established in the 16th century to protect the Royal Route inland, reached its apogee in the 18th century when many of its outstanding religious and civic buildings were built in the style of the Mexican Baroque. Some of these buildings are masterpieces of the style that evolved in the transition from Baroque to neoclassical. Situated 14 km from the town, the Jesuit sanctuary, also dating from the 18th century, is one of the finest examples of Baroque art and architecture in the New Spain. It consists of a large church, and several smaller chapels, all decorated with oil paintings by Rodriguez Juárez and mural paintings by Miguel Antonio Martínez de Pocasangre. Because of its location, San Miguel de Allende acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences while the Sanctuary of Jesús Nazareno de Atotonilco constitutes an exceptional example of the exchange between European and Latin American cultures. Its architecture and interior decoration testify to the influence of Saint Ignacio de Loyola's doctrine.
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